Contra Dancing

                In the United States, participatory dance scenes like contra dances are becoming less prevalent. This is because the American people are developing more presentational ideologies. Having been raised with this mindset, I never appreciated these kinds of participatory events until recently when I had the pleasure of being invited to a Contra Dance in Bloomington, Indiana. Without previous experience in any type of dance such as this, I can honestly say that I enjoyed this refreshing and new social activity. For the most part, the regulars at the dance acted very pragmatic and were understanding and helpful to the first-timers. None of the experienced dancers appeared disappointed when beginners made an obvious mistake—instead, most went out of their way to help teach the clumsy newcomers (such as myself) the correct moves. This made me feel included and comfortable. There was no criticism or judgment; everyone regardless of skill level was welcomed and encouraged to participate.  

                The opposite of this experience is often had at places such as night clubs. Even though I have not personally experienced dancing at a night club, in popular culture in the United States, clubs are depicted as being competitive, exclusive, and presentational. At a club, everyone is conscious of how they are being perceived by those around them and also judging others based on their skill level. My experience at the contra dance directly opposed these behaviors. Anyone was encouraged to participate from those in their 70’s to teenagers and it was not uncommon for an older more experienced dancer to partner with a young beginner. During the dance I often reached a flow state and became unaware of all the other dancers, I was concentrating on my role and being thoroughly challenged so it was neither too easy nor too difficult.

                One of the main reasons I loved the Contra Dance so much was because the music was iconic of a simpler life—one in which neighbors came together as a community to participate and have fun. I felt as though I was a part of this community and that I had an important role in something larger than myself like a cogwheel in a grandfather clock. Everyone I danced with had a huge smile painted on their faces and I did not notice anyone sit out more than one song in a row. I plan on going again next Wednesday with some friends of mine because we had such an enjoyable experience the first time. After this incredible bonding experience, it is difficult to understand why societies such as the United States do not value participatory music such as Contra Dancing as much as high fidelity or presentational music.